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Loveless
Lost:
From
Chopper to Chopper
Words:
Guy Bolton
Pics: Paul Robinson
What
is it about Harley-Davidsons? Of course, their appeal is different
for every rider who chooses to buy one - but beyond their sound,
look and heritage, I reckon what makes them so appealing is their
unrivalled capacity for transformation. And the chopper you see
here is a case in point.

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I OWNED
THIS BIKE FOR ABOUT SIX YEARS
- longer than I've owned any other motorcycle, Harley or not. And over
that time, the look of the bike changed almost monthly. You know how it
is: a different set of bars this month; a different carb or a different
seat a few months later. For me, however,my Harley's transformation started
developing in a very specific direction.
The bike
rolled off the factory floor in 1981 as an FXWG - Harley's famous 'factory
chopper' - sporting a 21-inch front wheel, 16-inch rear, bobbed rear fender
and factory flames on the tanks. By the time I acquired it with an insurance
payout from the theft of my previous bike, a 1976 FLH, it had already
changed quite a bit from stock.
I bought
it in 1995 from a fella on the Isle of Wight, and it boasted an FLH front
end, complete with Hydra-Glide-style tin shroud, 16-inch wheel and banana
brake calliper. It had a few other modifications such as an S&S Super
B carb and an old Triumph ockheed brake on the rear. The tanks were painted
a two-tone silver/blue and - perhaps due to a drought of 'real' Shovelhead
FLHs on the market at the time - I snapped it up.
The
owner claimed the engine had been rebuilt, but had no receipts for the
work. Yeah, right. However, I rode it home to London with no mishaps and
almost immediately started fiddling with the bike by fitting an original
FLH tractor seat and some old seat springs that I had sitting in the garage.
I rode the
bike to work, to rallies, to Europe. It went well - at least for a while.
Then the troublesome oil pump threw in the towel in the fast lane of the
M1 on the way to a rally at York Racecourse, seizing the engine. I had
my girlfriend on the back, panniers, and a tent bungeed to the bars -
it could have been nasty. In fact, I was lucky, and simply pulled in the
clutch whilst wending my merry way to the hard shoulder.
The Harley
Shop did a good job of completely rebuilding the engine - but they took
a year doing it. The 1340cc engine was rebuilt to stock specifications
using S&S parts, and with the addition of a lumpier Sifton cam, an
SU carburettor and an 11/2 inch Primo primary belt drive. They also powder-coated
every possible chrome and alloy surface black.
Why? Well,
at this point, I should probably admit to some influences.
I've always
been into the 1950s and early '60s, from music to hot rods to bikes. The
look I initially wanted for my new acquisition was something like the
Panhead Willem Defoe rode in 'The Loveless' - stock-ish, but fat-fendered
with a pogo tractor seat - so once I was back on the road, the bike started
to change. I painted the tanks and fenders myself using a borrowed compressor,
and it came out a bit amateurish - but acceptable if you didn't look too
closely!
I bought
a pogo spring set-up for my tractor seat from Warr's, but then discovered
something very strange. The pogo pole wouldn't fit into the centre post
in the frame - and I'd been told all 1981 Shovel big twin frames were
identical! Hmm. The work of creating a one-off seat post to fit the hole
in the frame was beyond my meagre engineering talents, so I took the bike
along to a bloke I'd known for a few years - and who I'd trusted all my
previous Harleys to: Snob.
Snob's
Ultimate Performance workshop was then in Ealing, and before long the
bike emerged onto Snob's cobbled courtyard with its bouncy (and supremely
comfy) tractor seat in place - and whitewall tyres fitted (nice slippery
cross-plies - the cheapest I could find). Snob also fitted a Harrison
six-pot front brake calliper I'd bought to replace the stock Harley item:
the difference was, shall we say, marked!
The bike
was now fast-ish, reliable, and I was finally Willem Defoe -- complete
with evil black paintwork and contrasting white kickstart pedal, grips
and footboard rubbers. Notwithstanding a few heartstoppers in the wet
(those tyres!), the bike was running as smoothly as a Shovel gets.
Which is
when I decided to start lopping bits off it.
It started
in small ways, as I imagine these things often do. Under the influence
of American chopper magazines and old Roger Corman biker flicks, I started
mentally sketching the old Shovel's new profile. And that meant a rigid,
'50s-style chopper.
Through
the Internet, I made the 'virtual' acquaintance of some American chopping
'faces' - characters largely unknown in the UK with colourful monikers
such as Chopper Dave, Indian Larry, Irish Rich and English Don. Frequent
visits to the States only increased my fervour for traditionally styled,
chopped Harleys.
I was also
influenced by the look of a famous photograph I'd had in a frame on the
wall for about a decade - 'Crossing the Ohio River' by Danny Lyon.
Taken in
the mid-'60s, it features a member of the Outlaws MC on a bobbed Panhead
big twin, jamming hard over a steel-span bridge, looking over his shoulder.
I hope you know the image I mean - and I'm sure you'll see the influence
on the way the bike turned out if you do.
I started
collecting photos for inspiration
many of them downloaded from
Chopper Dave's website (chopperdaves.com). I had entered a cool new world
of Bates seats, cocktail shaker silencers, Flanders handlebars, dogbone
risers and jockey shifts.
I was stunned
by the quality of the choppers coming from the USA's West Coast and from
Scandinavia. But
as far as I could tell from the UK magazines on the news stands, these
old-school chopper influences hadn't yet reached Blighty.
By this
time, I'd made a token effort to get my bike more bobber-like by removing
the front fender completely and taking an angle grinder to the rear, cutting
the old FLH fender off next to the fender supports and adding an old-style
sparto rear light. Heavily influenced, I suppose, by the stripped-down
pre-war Harley and Indian racers and hillclimbers.
I remember
sending a picture of the Shovel in this guise to one of my new chopping
heroes, English Don, who ran a hardcore chopper shop in New York City,
and he was scornful. "It looks stupid. Do it right. Put it in a rigid."He'd
just confirmed my nagging doubts. So, a full-blown chopper it had to be.
I had already
started accumulating parts. I remember Jeff from Riverside Cycles in Putney
was particularly helpful in sourcing stuff. I bought the tiny Le Pera
solo seat off him (original Bates seats don't turn up here often!), as
well as all the white rubber bits and pieces. I looked in vain around
the world for those cocktail shaker silencers, then - after months of
searching - found a pair in Bournemouth, of all places.
I now knew
exactly how I wanted the chopper to look, but I also was honest enough
with myself to know that putting a bike like that together was beyond
my ability and patience. Who could I trust the task of building a traditional,
outlaw-influenced chopper to? Snob, again, was the answer.
If you haven't
met Snob, you should know that he's quite a character. He'd always taken
the time to offer advice when I'd pitched up at his shop on my latest,
usually rather ropey, old ironhead Sportster. He never minded me dripping
oil on his forecourt, and I liked his company. His membership of the London
Hells Angels just added to his credentials for the job in hand, as far
as I was concerned. He'd owned an awesome, bright yellow, rigid Panhead
chopper that he'd built himself, so he knew what I was after when we started
discussing what was needed to get my chopper project rolling.
I wanted
to keep costs down, so was more than happy to use a new "old-stock",
stock-rake rigid frame that Snob found at the back of his shop ... in
other words, cheap! I won't go into the hassle involved in retaining your
number plate when swapping to an aftermarket frame
needless to
say I managed it, and sold my old swing-arm frame to well known bike journalist,
Clink.
I also needed
a new oil tank, new rear fender - modelled on the old Triumph ribbed front
mudguards, traditionally swapped over to the rear on choppers in the '50s
and '60s - and all the seemingly endless sundry other brackets, wires,
nuts and bolts required to transport any motorcycle to chopper-dom.
Whilst
the engine was out of the frame, Snob persuaded me to have the heads twin-plugged
- a modification I'd thoroughly recommend to any Shovelhead owner. I'd
had the age-old problem of patchy electric starting, caused by lack of
space for a stock-sized battery in the aftermarket horseshoe oil-tank.
Starting subsequently became easier - both by finger and foot.
Eventually,
after a lot of to-ing and fro-ing, discussion and a few false starts,
Snob delivered the freshly completed chop to my house in his van. I was
absolutely stoked, and we sat out and supped a few beers to celebrate
its transformation into a pretty righteous-looking ride.
It was just
what I had envisaged - like something out of 'The Wild Angels' or 'Hells
Angels on Wheels'
although after critically assessing the bike,
I decided the seat height was a little high. So once Snob was safely out
of the way (he wouldn't have appreciated me hacking into his new creation)
I ground the spring hangers down to get the seat sitting right down on
the frame.
It rode
fantastically well, considering the misgivings I'd had about the lessons
my new frame was going to teach my back. The low centre of gravity and
mini-apehangers made for a surprisingly comfortable seating position,
and the crackle of the pipes right next to my ears was, as they say,music.
It was highly
manoeuvrable in heavy traffic, with the handlebar height just right for
skimming the tops of cars' wing mirrors. And, surprisingly, I got no hassle
from the boys in blue (no front mudguard, loud pipes, undersized and naughtily
coloured number plate ...) other than questions about how it handled when
I happened to stop next to jam jars at the lights.
Now, if
you've noticed that this yarn is all in the past tense, you're right.
It had taken me six years to get my Harley-Davidson to match the image
I had in my head of the archetypal, traditionally-styled chopper. Then
we decided to move to Australia, I needed cash fast, and it went.
I wish I
hadn't sold it, but I had no alternative at the time. I was already starting
to plan further changes - a springer front end, 21 inch front wheel, jockey
shift - so the transformation wasn't nearly over. And
probably never would be.
I'm still
looking for another bike project here in Oz - perhaps a 1200 flattie -
and I truly hope my Shovel's new owner is having as much fun on the bike
as he should be.
In the meantime,
I keep the ideas for new projects flowing, not least through my website
greasykulture.com - so if traditional choppers, bobbers and hot rods float
your boat, drop on by.
I think
you'll like what you find.
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